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  • MOZART: Requiem
    SALIERI: Requiem
    Opera & Oratorio June 2023

    MOZART: Requiem
    SALIERI: Requiem

    “The voices and instrumentalists of Le Concert Spirituel bring these works into fascinating dialogue.”

  • GRIMES, NEGRÓN, NOVA, SHAW, SNIDER: The Blue Hour
    Choral & Song June 2023

    GRIMES, NEGRÓN, NOVA, SHAW, SNIDER: The Blue Hour

    “Trippy and kaleidoscopic but also engaging and continually interesting.”

  • NONO: Intolleranza 1960
    Opera & Oratorio June 2023

    NONO: Intolleranza 1960

    “This smacks of champagne socialism: an opera-going elite, in €330 seats, watching the plights of poor migrants set to an ultra-avant-garde score.”

  • Ruby Hughes: Echo
    Recital June 2023

    Ruby Hughes: Echo

    “A moody, melancholy recital that exploits Hughes’s impressive ability to sing artfully at a pinpoint pianissimo.”

  • BOWLES: A Picnic Cantata
    Opera & Oratorio June 2023

    BOWLES: A Picnic Cantata

    “It feels like a lark: the creators clearly enjoyed their collaboration and were not interested in making a major statement. Ephemerality is coded in its DNA.”

  • Kenny Overton: A Bright Tomorrow
    Recital June 2023

    Kenny Overton: A Bright Tomorrow

    “In most of the musical-theater selections on the album, you wouldn’t know Overton is an opera singer, and that’s a compliment.”

  • Tim Mead: Sacroprofano
    Tim Mead Sacroprofano Album Cover
    Recital June 2023

    Tim Mead: Sacroprofano

    “The English countertenor is profoundly impressive with an exceptionally rich timbre, impeccable control of vibrato, stupendously precise coloratura and surpassingly elegant legato.”

  • Barbara Hannigan: Sehnsucht
    Recital June 2023

    Barbara Hannigan: Sehnsucht

    “Expertly and with infectious spirit, she sings some classics from the years around 1900.”

  • POULENC: La Voix Humaine
    Opera & Oratorio June 2023

    POULENC: La Voix Humaine

    “Véronique Gens is impressive, and her instrument remains in remarkably good shape. She finds the brittleness and pathos in the role without recourse to any cheap effects.”